No idea why these advertising light boxes are the way that they are, but they are each end of the S-Bahn platforms at Hamburg Airport. Having walked past them, and occasionally taken the odd digicrap of them, here they are on film. In this case Kodak Portra 800 in the Natura Black.
It turns out that blue lights in a dimly lit underground station are about at close to a torture test as you can get for fast colour negative film. The obviously different light levels really didn’t help with a point and shoot. All of which made them an adventure to process – the white balance still isn’t consistent, but i give up!
Mystery why there are they and never contain any advertising… all other slots are always occupied, with these left open. Maybe they are a token gesture towards making the airport more relaxing / less commercial… or art? Ha!
It all seems rather a long time ago. During the winter of 2010 Eiichi-san lent me one of his Speed Graphic Pacemakers, a Dallmeyer Pentac lenses, and a bunch of 4×5 film holders. Being my usual cautious self, i went out and bought a pack of Velvia 50, loaded up some holders, and went out to get my ‘土門拳‘ on.
Unfortunately, or maybe predictably, i screwed up and loaded the film into the holders backwards. Remember being rather annoyed with myself when they cam back from the lab… still, when life gives you lemons, etc.
Several years later it occurred to me to that my fancy-pants scanner had a 4×5 film holder, and i should see if anything was salvageable.
Obviously not what i had in mind when taking them – slow colour film reduced to underexposed, high contrast b&w, but i’m really pleased with them… to the point where my next consideration is whether they’ll be possible to print!
Edit: proving the point that i’m an idiot, of course i can’t print them they aren’t negatives. Just call me ‘Doh!-mon’…