It all seems rather a long time ago. During the winter of 2010 Eiichi-san lent me one of his Speed Graphic Pacemakers, a Dallmeyer Pentac lenses, and a bunch of 4×5 film holders. Being my usual cautious self, i went out and bought a pack of Velvia 50, loaded up some holders, and went out to get my ‘土門拳‘ on.

Unfortunately, or maybe predictably, i screwed up and loaded the film into the holders backwards. Remember being rather annoyed with myself when they cam back from the lab… still, when life gives you lemons, etc.

Several years later it occurred to me to that my fancy-pants scanner had a 4×5 film holder, and i should see if anything was salvageable.

Obviously not what i had in mind when taking them – slow colour film reduced to underexposed, high contrast b&w, but i’m really pleased with them… to the point where my next consideration is whether they’ll be possible to print!

Edit: proving the point that i’m an idiot, of course i can’t print them they aren’t negatives. Just call me ‘Doh!-mon’…

Labour of Love

This shot has been something of a challenge. It has taken several attempts to get this far, and although it has something of an enigmatic quality to it, it isn’t yet the shot that i want it to be.

The statue is no more than 10cm tall and is recessed in an alcove (god in an alcove!) at the base of another statue. What i really need is a longer lens, so that i can get the shot using extension tubes, but still get enough light to shoot it at f/22 / or, even better, f/32… off a tripod. All very tricky… but eventually worth it i hope. A real natural light challenge.