More adverts for the void…
More adverts for the void…
Determine what others see
For us F stands for a Facebook in which you have more control of your private sphere.
Therefore we’re now providing a clearer overview in one place.
I’m kind of fascinated, in a “car crash” kind of way, with the effort Facebook is putting into improving it’s image in Germany.
Leaving aside the banality of this particular pitch (“we’ve moved all the privacy controls that you need to understand, and obviously don’t, into a single place for you to better not understand!) what on earth are they thinking? Do they really believe that the perceived issue is with what others can see, and not understand that people have become concerned with the entirety of what Facebook itself sees?
Maybe this is part of a longer strategy to attempt to undermine the GDPR regulations, which you’d have to assume would be devastating to the FB “sell out the users to highest bidder” business model. If they can get out in front of it, making the claim that they are already protecting users data, and using it appropriately (“look at all the control we give them!”) then maybe politicians won’t feel that suing them out of existence will be popular?
They’ve lost a million users to GDPR issues… which seems peanuts compared to the total ~365 million European users. And the stock price, despite the historic fluctuations, is still higher than it was at the start of 2018.
It all makes me wonder what news they are not yet out in front of…
Not entirely sure how to write this review. Ideally you’d go buy a copy, then we could discuss it in the comments. That would be easiest. Still, nothing is ever easy…
The events may occur in two separate realms: the every day life of a small town Maine doctor, John M. Bischoffberger aka Bisch; a parallel world that may, or may not, co-exist within the mind of said Bisch.
The primary inhabitants of this parallel world, the old woman, the welp, and the thin man, are of a mythical nature. While reading i found myself trying to fit them into roles, assign them meaning, which it is entirely unclear that they have. Nonetheless, could the old woman symbolise time, the forces of nature? Could the welp be war, chaos, anarchy? The thin man, is he pestilence, disease, famine?
They talk of love and hate, of time, of a time that has come. Of a job to be done. In the end are they just the neurotic fever dreams of a mind that has experienced the horrors of war, and struggles to maintain a grip on a gritty rural reality?
It’s a beautifully written book, the writing is descriptive, rich and earthy, but it leaves you enough room to imagine. Space in which to find your fears. I don’t read a lot of fiction anymore, and i don’t watch any cinema, but this felt very cinematic – the pages playing out as a film.
Don’t want to say any more. Go read it.
Oh.One of the Unbounders made a reference to Cormac McCarthy. It’s a difficult comparison to live up to, but its easy to see why it was made.
Post from HN: How Does Mastodon Work?
Answer from me so far: it doesn’t.
Sadly i’m not sure it ever will. Leaving Twitter means leaving behind all the network effect that made the Twitter experience work.
One day an inflection point is going to come and people will migrate to a new platform. However, my guess is that will not happen for technical or organisational reasons, but just because. As much as it would be good to sell people on a messaging platform that is, among other things, virtuous, privacy respecting, user supported, censorship resistant (as Mastodon may well be…) if it doesn’t have the magic combination of simplicity and cool which periodically captures the zeitgeist… it doesn’t work.
I’ve managed to move the majority of my IM traffic to Signal… there are a few stragglers, and it wouldn’t surprise me to hear that it’s role in the communication of others is limited to catering to my diva-like demands! Why has that worked for personal communications, but failed for the broader, more scattershot social networking case?
The use case is different – on a platform like Twitter you curate followers / friends and accept that whatever to say will be broadcast to them all. This obviously means that you adapt your communication style to be less personal. In most cases a Twitter / Facebook / Instagram account becomes a simple means of promotion. Followers, if not the direct audience, act as a means of propagating or amplifying your message. If that network doesn’t not exist to fan out reaching a much wider “market” it’s not really fit for purpose.
It seems that more private (in many cases not in the cryptographic sense) interactions between natural groups (family, close friends, small teams) are migrating to closed chat rooms, most likely on platforms like WhatsApp, Facebook, etc. And Twitter / Facebook / Instagram feeds are slowly dissolving into a market place for both goods, ideas and attention, with the whole thing swirling around a sink hole of advertising intelligence / surveillance.
Sadly, i suspect that the implementation of Circles in Google+ came very close to synthesising something that captured a good balance. Fortunately people read the sociopathic writing on the wall – as bad a custodian of a social graph as Facebook has turned out to be, the only people that i can see giving them a run for their money in the ‘Totalitarian Information Megacorp’ / ‘Grim Meathook Future’ stakes are big G… and Amazon.
[A lot of this musing was brought to mind by seeing a Facebook ad on German TV that, and i kid you not, starts out with “F steht für unsere Fehler” (F stands for our failure), and then gets weirder.]
I’m currently reading ‘The Thirty-Five Time & Untimely Deaths of Cumberland Country” by my long-time friend / collaborator / co-conspiritor Mason Ball, and am excited to report that it is terrifying… and terrifyingly good!
If you didn’t support him during the crowdfunding process on Unbound, you should go find yourself a copy in one of those bookstores of yore… or here, or Amazon. The writing is rich, keenly observed, textured, sombre, and playful – people die… a lot of people die, but somehow there is a current of humour (dark humour, dark as to appear black no doubt) running through it all.
One of the first questions that i had reading, was when Mason had spent enough time in Maine (where the tale is told) to develop a sense of the place… and it turns out it wasn’t just me:
Confession time: I have never been to Maine, where the book is set. Had I the funds I most definitely would have done but as it stood I had to make do with research, both online and in print; oh, and Google Earth and Google Street View were invaluable!
You can read the rest of the interview on Book Trails.
I’ll post a review when i’m done… but you should get a copy regardless.
Edit: Mason’s notes on buying the book:
Several time i’d had the impression that the bedroom was behaving as a Camera Obscura, but i couldn’t make out the image well enough to understand what i was seeing. It’s certainly a matter of chance as to how the curtains are arranged…
One morning i picked up my phone and snapped the following image:
which is rather indistinct! Forgetting that image would be inverted (vertically flipped) i guessed that i was seeing stretched / repeated chimney pots on a building opposite.
As my phone was struggling to find focus, or meter anything useful, i grabbed a few shots with the 5D… and promptly forgot about it. The following weekend, while processing the images on that card i came across them again, and realised that they were inverted. Rotating them results in this:
which is much more obviously a building outside the window. Cool!
All it takes is blackout curtains, a gap, and a view… unfortunately without a mobile home it’s a rather limited camera.
Visions of a flat sided van turned into a camera are swiftly brushed aside.